Morlock joins forces with a burned-scientist-turned-rebel-leader in a revolution against the Thought Police … but is it too late? New writer Gary Friedrich continues this series’ mashup weirdness, but the real fun here is the art collaboration between comics legends Steve Ditko and Bernie Wrightson.
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A local police chief wants the Brute dead. Wait. No. No, he doesn’t. Oh. Stop. Yes, he does. Also: supervillain. This final issue is a mess of stereotypes masquerading as a story, from the team of Gary Friedrich, Alan Weiss and Jack Abel.
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Stranded by an arctic shipwreck, Frankenstein’s monster ponders his back story while trying to assist his dying colleagues. Gary Friedrich’s story isn’t the most engaging, but the work of artist Mike Ploog and colorist Glynis Wein is top shelf.
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The Tarantula heads off to eat his alter ego’s secretary, but settles for an Arab supervillain he finds trying to kill her. Strangely wooden weirdness from Gary Friedrich and Pat Boyette.
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A second group of aliens stop Phoenix’s suicide attempt, turn him into the Protector and send him to battle a cyclops. A victim of the dreaded Atlas-(Seaboard)-last-issue revamp, this outing by the new creative team of Gary Friedrich and Ric Estrada is pretty much a bust.
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Stuntman Jeff Rand is forced to go into action as the Cougar when his brother – a werewolf! – attacks the set. This origin story, by the team of Gary Friedrich and Frank Springer, offers a great surprise ending.
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Ironjaw is captured by mutants, meets a wench, triumphs in the arena and learns a valuable life lesson about tolerance. And that’s just the lead feature. Sadly, the whole affair – including work by Gary Friedrich and Pablo Marcos – is a bit of a mess.
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When a beautiful minstrel is maimed by jealous thieves, a secret paramour and sorceress team to save the future Ironjaw! This final issue – by the creative team of Gary Friedrich and Pablo Marcos – is less offensive but still lacks likability.
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