Targitt heads to Alaska to foil a plot by an American corporation and Third-World powers to manipulate world oil prices. Gabriel Levy and Ric Meyers’ story might have limited appeal, but the visual storytelling – by 1950s comic-book artist Howard Nostrand – is strong.
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When FBI agent John Targitt’s wife and daughter are blown up in a mob hit, the agent seeks bloody revenge. A below-average script from Ric Meyers gets strong storytelling support from veteran artist Howard Nostrand.
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Morlock joins forces with a burned-scientist-turned-rebel-leader in a revolution against the Thought Police … but is it too late? New writer Gary Friedrich continues this series’ mashup weirdness, but the real fun here is the art collaboration between comics legends Steve Ditko and Bernie Wrightson.
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Despite strong art from up-and-comers like Tom Sutton, Rich Larson and Mike Zeck, Creepy Things #2 is still a bit of a mess.
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A hodgepodge of reprints repackaged to look like a horror comic, this issue is largely a bland affair. While most of the work is uncredited, the lead story – featuring the debut of Tragg – offers stylish art by Jesse Santos.
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Four-color horror in the EC tradition. Writer/artist Bruce Jones’ scripts aren’t quite up to the task but this issue features nice art from Richard Corben, Tim Conrad and others.
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The debut of the title that serves as the nominal source material for the 2018 Netflix series, featuring tame EC-esque short stories with uncredited art strongly influenced by the Archie house style.
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A werewolf comes to town but soon runs afoul of a gunslinger who looks suspiciously like the Lone Ranger. This story-in-verse by Stephen Perry and George Evans leads off a hodgepodge of not-quite-ready-for-prime-time tales. Also featuring the first appearance of Mr. Monster by Michael T. Gilbert and William Messner-Loebs.
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A “hitherto undiscovered bacterial force” “activates” algae and turns a washed-up Olympic swimmer into Man-Monster. Yes, this uninspired origin story by Tony Isabella, Rich Buckler and Mike Vosburg is as bad as it sounds. But the backup tale – featuring art by Enrique Badía Romero – is decent.
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Colonel Whiteshroud is invited to investigate the reading of a family will – because someone there is a werewolf! While not perfect, Nicola Cuti and Mike Zeck’s full-length werewolf mystery earns a strong grade for effort.
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