A trio of fun tales, including the first proto-Conan story by the legendary team of Roy Thomas and Barry Windsor-Smith. Also featuring work by Jack “King” Kirby, Tom Sutton and more.
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As romantic tensions flare at home, Doctor Strange is again pulled back through time due to new acquaintance Morgana Blessing. More gorgeous art from Marshall Rogers and Terry Austin, on a story by Roger Stern.
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Doctor Strange, Nick Fury and others come together during World War II to thwart a time-travel plot from Dormammu. A dense outing that pushes creative boundaries from the A-list team of Roger Stern, Marshall Rogers and Terry Austin.
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The abduction of Clea and Morgana Blessing draws Doctor Strange back in time – and into the clutches of Dormammu! This strong outing from Roger Stern, Marshall Rogers and Terry Austin is pretty, but the art is also undermined by the printing technology of the era.
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Baron Mordo escapes from a “focal point of infinity” to once again battle the good doctor. Roger Stern’s story is typical Strange, but art of Marshall Rogers and Terry Austin lift it to another level.
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Kamandi flees militant apes only to find himself at the mercy of a moon creature in a buried Las Vegas. Another fun, futuristic romp from the team of Jack “King” Kirby and Mike Royer.
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Kamandi and new friend Ben Boxer escape from Tiger City – but soon find themselves captured by hijacker rats! After a slow start in #1, Jack Kirby’s Kamandi hits full stride in just its second issue.
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The Fantastic Four team with the Black Panther to investigate a mystery – and find themselves prisoners of ancient Rome! Writer/artist John Byrne delivers a fine done-in-one tale, though it does little to showcase its African guest star.
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After discovering a costume permanently attached to her body, Frankie Raye makes an greater discovery – she’s another Human Torch! Add a back-up story that mutates the Thing, and writer/artist John Byrne (with a little help from Terry Austin) is well on his way to mixing up the FF status quo.
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Warlord visits old friend Aram al Ashir as the thief-turned-king dreads a pending marriage of political convenience. Mike Grell’s Warlord shows signs of taking it to another level.
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