This trio of Weird War offerings is highlighted by a Kamandi “Tales of the Great Disaster” outcast featuring art from the inimitable team of Marshall Rogers and Terry Austin.
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Shirtless men get their battle on in strange, savage environments – one within Earth’s core, the other on Mars. Edgar Rice Burroughs’ stories get the Bronze adaptation treatment from Len Wein, Alan Weiss, Marv Wolfman and Murphy Anderson.
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The Unknown Soldier secretly takes the place of a fallen battlefield legend in the South Pacific. This issue features a pair of mismatched tales from talent including Archie Goodwin and Walter Simonson.
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A sales catalog of toys, posters, books and other merchandise featuring DC and Marvel superheroes and other genre creations. This publication – produced by the Joe Kubert School of Cartoon and Graphic Art – would have blown Little Me’s mind.
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The Creature Commandos are sent to investigate a South Pacific island, where they discover the War that Time Forgot! The lead feature by Mike W. Barr, Bob Hall and Jerry Ordway is decent, and this whole issue earns a B grade.
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When the Justice League’s very first foes reappear, new Leaguers must battle original members before the team can stand united against the threat. Gerry Conway’s story does its job, but the real treat here is the art of George Pérez, Jim Aparo, Joe Kubert and others.
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Tarzan saves Jane from the beast men of Opar, beats down nemesis Nikolas Rokoff and generally saves the day. With this strong issue, Joe Kubert ends his adaptation of “The Return of Tarzan” on a high note.
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Tarzan, new chief of the Waziri, leads his tribe to the city of Opar, where Jane eventually ends up captive. Following a down issue, Joe Kubert’s “The Return of Tarzan” adaptation returns to form.
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Tarzan’s continued clashes with the villainous Nikolas Rokoff lead the jungle king back to the wilds of Africa. An abundance of coincidences undermine this outing, making it one of the weaker issues of Joe Kubert’s Tarzan run.
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After surviving a duel in France, Tarzan is offered a government position that takes him undercover in Algeria. Too many rushed scenes make this a subpar example of Joe Kubert’s Tarzan work, but it’s still an enjoyable outing.
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