The Uncanny X-Men were the superteam that made a lifelong comic-book fan out of T. Andrew Wahl. Join him as he rereads and reviews the legendary run that made the mutant heroes the bestselling foundation of the Bronze Age Marvel Universe. (There are 88 reviews so far!)
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Coming of age in distant Azerebajia, an orphaned Prince Wulf trains to fulfill his blood oath against Mordek Mal Moriak. A surprisingly strong debut from writer/artist Larry Hama with inker Klaus Janson.
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The astronauts attack the vampires’ dome in a last-ditch effort to save their wives – but are they already too late? Awkward dialogue from John Albano pairs with decent art from Russ Heath to bring Planet of Vampires to a somewhat satisfying conclusion.
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Astronaut Chris Galland and crew convince savage tribes of post-apocalyptic humans to unite against the “blood-sucking dome dwellers.” Not original and poorly scripted, this Atlas (Seaboard) comic from John Albano, Pat Broderick and Frank McLaughlin is still a lot of fun.
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A crew of astronauts returns to find a ravaged Earth split between two groups – human savages and high-tech vampires! This debut issue of Larry Hama’s dystopic future lacks spark, but the art by Pat Broderick and Frank McLaughlin is a strong draw.
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A local police chief wants the Brute dead. Wait. No. No, he doesn’t. Oh. Stop. Yes, he does. Also: supervillain. This final issue is a mess of stereotypes masquerading as a story, from the team of Gary Friedrich, Alan Weiss and Jack Abel.
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When the Society to Outlaw Parent Power takes Gotham hostage with an A-bomb, Batman calls the Teen Titans for help. Writer Bob Haney goes for relevant but ends up with zany, while receiving some solid art support from Nick Cardy.
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Spider-Man takes the month off as the Human Torch and Hulk team to stop a revenge plot that involves bringing back Blastaar. A fairly weak story by Len Wein gets a major assist from the strong pencils of Gil Kane.
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Scientists from the future send a “murdermek” back to 20th-century Metropolis in an effort to stop OMAC from being born. This story from Len Wein, George Pérez and Pablo Marcos shares DNA with “The Terminator” – a full year before that classic movie’s debut.
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Tigra recruits the Thing’s help in her battle against a “null-band”-empowered villain known as the Cougar. An utterly average, mid-Bronze-Age outing from the creative team of Bill Mantlo, Sal Buscema and Don Heck.
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