A former burglar, feeling like he’s out of options to save his critically ill daughter, steals the Ant-Man costume. A solid by underwhelming story by David Michelinie with excellent art support from John Byrne
and Bob Layton.
An industrialist inventor’s effort to launch a tidal power station runs afoul of the Sub-Mariner – and the Magaia. Throw in Daredevil and Black Panther and this annual – by the creative team of Marv Wolfman, Chris Claremont, George Tuska and Frank Chiaramonte – still falls short of entertaining.
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A Vietnam veteran returns home with a secret – drug addiction! Will his love stand by her man? The lead story is an enjoyable-enough relic of its times, but it’s the Alex-Toth-drawn backup feature that makes this issue a winner.
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Haunted by the murder of her roommates, Liza Warner attends police academy and becomes … Lady Cop! A real stinker of a comic, from the team of Robert Kanigher, John Rosenberger and Vince Colletta.
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The X-Men escape the clutches of Doctor Doom only to find themselves facing a crazed, out-of-control Storm. Chris Claremont dives into familiar thematic waters, with strong art support from Dave Cockrum and Joe Rubinstein.
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The main X-Men team has been imprisoned by Doctor Doom while an X-adjacent squad attempts to infiltrate Murderworld. This story is not Chris Claremont’s strongest but the new art team of Dave Cockrum and Joe Rubinstein are settling in.
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Drawn into conflict with Doctor Doom by Arcade, the X-Men call in reinforcements to rescue their loved ones. Dave Cockrum, the co-creator of the all-new, all-different X-men, returns for a second stint as penciler of Marvel’s favorite mutants.
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While working on a fishing trawler in Florida, Scott “Cyclops” Summers crosses paths with Man-Thing and the demon D’Spayre. The Uncanny X-Men get off to a slow start as life without John Byrne begins.
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Superman and Flash get drawn into an alien civil war, and end up racing to the end of time. Martin Pasko’s central concept is a good one, and artist José Luis García-López is an underrated master. But this one ends up being less than the sum of its parts.
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Bad science and other silliness undermine what should have been a promising superhero anthology. Only the Neal Adams cover and some above-average Batman art from Michael (Nasser) Netzer save this one from being a total stinker.
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