The Omega Men struggle to survive in the wake of a nuke-bomb attack on Broot’s homeworld, Changralyn. While still excessive, this second issue from Roger Slifer and Keith Giffen shows promise.
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The Omega Men lead a rebel takeover of the planet Slagg, then move on to Broot’s home world, Changralyn. This early direct-only outing from the team of Roger Slifer, Keith Giffen and Mike DeCarlo seems more interested in delivering gore than character building.
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When Yang’s cousin Sun returns to find drug dealers squatting at the family homestead, much kung-fu action ensues. Joe Gill script is better than some of his Charlton output, while Sanho Kim’s art is oddly appealing.
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Against the backdrop of a peaceful world facing annihilation, the Chief Examiner comes to Earth to steal the Hulk’s power. An early, subpar effort at transmedia, from the team of Bill Mantlo, Mark Gruenwald and John Romita Sr. (working off a concept by John Byrne and game designer Scott Adams).
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When radioactive material turns up missing during a fire at a chemical warehouse, paramedic John Gage leaps into action. This story by Joe Gill isn’t ready for prime time, and neither is the early art by John Byrne.
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A powerful young man is on a quest to avenge his parents against Hyssa, the tyrannical lizard king. A typical blast of Bronze Age goodness from Jack “King” Kirby, who never got the chance to further develop this world.
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When a cattle baron’s men gun down Tom Corbett’s parents, he takes up twin Colts to become Kid Cody. The lead feature from writer Larry Lieber is pretty uninspired, but Doug Wildey provides some pretty art.
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In a future dystopia, a scientist grows a plant man to battle government tyranny – but things don’t end well! A weird kit bash of concepts from Michael Fleisher, ably illustrated by Al Milgrom and Jack Abel.
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When an eccentric financier goes missing, the Scorpion gets pulled into a case plagued by voodoo and zombies. Another fun pulp adventure from writer/artist Howard Chaykin (and a few famous friends).
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Jay Hunter’s criminal activities get his scientist father killed – but not before the old man helps him become a superhero. Archie Goodwin writes this debut issue, but it’s the art of Steve Ditko and Wally Wood that makes it a treat.
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