This trio of Weird War offerings is highlighted by a Kamandi “Tales of the Great Disaster” outcast featuring art from the inimitable team of Marshall Rogers and Terry Austin.
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The DC Implosion couldn’t keep a good superheroine down. Gerry Conway’s Vixen finally earns her DCU debut, teaming here with Superman in a story drawn by Curt Swan and Frank Chiaramonte.
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This collection of sordid soap-opera tales includes the third chapter of Alex Toth’s “20 Miles to Heart Break” serial.
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A nefarious Kryptonian criminal shows up on Earth, taking control of Superman and the Challengers of the Unknown. Featuring subpar, late-career art from Jack “King” Kirby (with a few pages from fellow legend Alex Toth).
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The fingerprints of Charles Dickens are all over this DC reprint digest, as the Victorian author’s classic tale serves as inspiration for more than one story. (Except for Jack Kirby’s Bronze Age Sandman adventure, of course, a story widely distributed for the first time in this issue.)
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A certain bright star in the sky helps several DC universe characters successfully navigate Christmas Eve adventures. This collection of short tales is pretty solid throughout, with a young Frank Miller’s first-ever outing on Batman being the best present in the pile.
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Attempting to cheer up a classmate who has the seasonal blues, Superboy takes him to a parallel Earth without Christmas. This Christmas tale from Paul Kupperberg and Kurt Schaffenberger leads off a pair of so-so tales.
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Jim Starlin brings a watered down version of his cosmic storytelling to the Distinguished Competition, but the real draw to DC Comics Presents #26 is the debut appearance of Marv Wolfman and George Pérez's new Teen Titans.
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In the lead story, Batman and Ragman team to stop a criminal organization that preys on the poor. Writer David V. Reed delivers a nice, tight tale, but Michael Golden’s artwork steals the show.
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After breaking up a criminal conspiracy on a Gotham subway, Batman recounts the caper for a mystery breakfast guest. The lead story by Bob Rozakis and John Calnan isn’t bad, but it’s not nearly as pretty as the backup feature drawn by the legendary Detective art team of Marshall Rogers and Terry Austin.
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