When Hell comes under siege from the demon Brimstone, the Grim Ghost finds himself coming to the aid of Satan. A silly story from Tony Isabella – but not a bad one. The same can not be said for the art, a subpar outing from the usually talented Ernie Colón.
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The Grim Ghost hosts a party for his neighbors, but sneaks out early to send some bad guys to hell. Michael Fleisher and Ernie Colón make the most of this kit-bashed creation.
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Colonial-era highwayman Matthew Dunsinane is put to death, but makes a deal to do Satan’s work in the 20th century. This excellent character debut, from the team of Michael Fleisher and Ernie Colón, is one of the best single issues of the entire Atlas (Seaboard) line.
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Stuntman Jeff Rand is forced to go into action as the Cougar when his brother – a werewolf! – attacks the set. This origin story, by the team of Gary Friedrich and Frank Springer, offers a great surprise ending.
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When a real vampire causes trouble for a horror-movie crew, it’s up to The Cougar to save the day. Not great yet strangely enjoyable, this debut issue by Steve Mitchell, Dan Adkins and Frank Springer is fairly typical of the Atlas (Seaboard) line.
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Duke “Destroyer” Duck travels across nega-space to avenge the death of The Little Guy at the hands of Godcorp, Ltd. Steve Gerber + Jack Kirby + Righteous Anger = A pretty solid debut issue. (All this, plus the first appearance of Groo the Wanderer, too!)
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Strontium Dog joins Judge Dredd in this excellent sampler of the British Bronze Age. Creative talent includes future comics legends Alan Moore, Alan Davis, Brian Bolland and others.
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The kidnapping of an Atlanta businessman brings four super-powered heroes together to become the Crusaders (soon to be known as the Southern Knights!) This debut issue from Henry Vogel, Audrey Vogel and Jackson Guice is flawed but still quite fun.
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A poor-man’s trio of EC-inspired tales from writers Russ Jones and Jack Younger and artists Jerry Grandenetti and Mike Sekowsky.
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Series hostess Countess R.H. Von Bludd gets an origin story in this horror anthology debut. Unfortunately, none of these tales – from Charlton regulars including Joe Gill, Nicola Cuti and Joe Staton – offer much in the way of originality or artistic execution.
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