When the relocation of ancient statues puts the Immortals of Cy-Tor at risk, the aliens are forced into action against Batman, Robin and Superman. A snoozy story from Bob Haney has its moments, but bland art from Curt Swan and Al Milgrom doesn’t help this dated affair.
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A “nebbish” named Leonard Tippit is tasked by the Watcher to stop a nuclear holocaust – by executing five innocent people! Hurried pacing and poor characterization make this one a tough read. From the team of Harlan Ellison, Roy Thomas, Rich Buckler and Dan Adkins.
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When villains from different universes team up, Superman and Captain Marvel require an assist from the extended Marvel Family. Writer Roy Thomas is having a great deal of fun here – perhaps more so than some readers – and receives strong art support from Rich Buckler and Dick Giordano.
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Deathlok faces off with Maj. Ryker in a virtual reality “Mind-Lock,” then attempts a mind transference to a clone. This visually strong series – by Rich Buckler, Bill Mantlo and Klaus Janson – continues to be overwhelmed by a plethora of concepts.
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After being damaged by Hellinger’s explosive, Deathlok is rebuilt by the CIA and sent back on the hunt for Ryker. The creative team of Rich Buckler, Bill Mantlo and Klaus Janson serve up a visually striking story that’s overstuffed with plot elements.
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Deathlok’s quest to restore his humanity brings him to Maj. Ryker’s brother Hellinger and a Luther Manning clone. New inker Klaus Janson improves the look of this series but it’s still unclear where plotter/artist Rich Buckler is trying to take the story.
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Deathlok battles human drones in abandoned subway tunnels while Mike Travers frees Nina from Maj. Ryker. Rich Buckler is joined by Bill Mantlo and a “whole blame Bullpen” of artists, but this story simply idles in place.
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Deathlok is confronted by former friend Mike Travers, then the cyborg antihero resumes his quest to regain his lost humanity. The short lead feature by Rich Buckler and company is padded out by a fun Stan Lee/Gene Colan reprint.
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After losing a potential ally, Deathlok remains on the run from Maj. Simon Ryker’s soldiers and “supreme death-machine.” After a one issue absence, Rich Buckler’s Deathlok returns to Astonishing Tales (with some creative help from Doug Moench, Keith Pollard, Arvell Jones and Al McWilliams).
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Superman and Captain Marvel discover they’ve switched costumes and powers as part of a Mr. Mxyzptlk plot. Both the lead story – by the team of Gerry Conway, Roy Thomas, Rich Buckler and Dick Giordano – and backup feature would have been more at home in the Silver Age.
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