This Charlton house magazine from Bob Layton’s CPL/Gang Publications features The Question by Roger Stern, Michael Uslan and Alex Toth, and Doomsday +1 from John Byrne. If only Charlton’s regular lineup was that good!
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Power Man, Iron Fist and Machine Man scramble to recover a computer “super-circuit” stolen by the Hulk. A ho-hum affair by Roger Stern, Herb Trimpe and a host of inkers.
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After losing a battle to the Grey Gargoyle, the Avengers must regroup before tracking him down for a rematch. John Byrne and Dan Green draw a fine Avengers, but this story from Roger Stern and David Michelinie is not on par with the era’s best work.
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While defending against a government attempt to strip their security clearance, the Avengers are called to battle a stony menace. A sagging story by Roger Stern and Steven Grant doesn’t do justice to the excellent art of John Byrne and Dan Green.
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Already distraught over the departure of his disciple Clea, Doctor Strange finds himself in a battle with D’Spayre. One of the great done-in-one gems of the Bronze Age, from the team of Roger Stern, Michael Golden and Terry Austin.
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Angel and Iceman must team with the Hulk after a Sentinel Master Mold crashes the former X-Men’s double date. The old CPL Gang of Roger Stern, John Byrne and Bob Layton reteam for this fun, done-in-one outing.
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Disco singer Alison Blaire teams with superheroes, tries to find a job and wins a sing-off against the Enchantress. Not the historic stinker some recall, but this debut issue by Tom DeFalco, John Romita Jr. and Alfredo Alcala isn’t very good, either.
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Called by a dream, Clea joins the sisterhood of Sibyls in an effort to thwart the Black Oracle prophecy. A pair of stories – including a backup with stunning art from Michael Golden and P. Craig Russell – demonstrate the underlying problem with the Doctor Strange/Clea relationship.
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Hawkeye takes a new job as a security chief at Cross Technological Enterprises and soon tangles with Deathbird. Despite strong art from John Byrne and Dan Green, this issue’s misogynistic tone is largely incompatible with today’s social norms.
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