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Review: Marvel Team-Up #44

In 1692 Salem, the Dark-Rider has defeated Spider-Man, Vision, the Scarlet Witch and Doctor Doom. Can Moondragon save the day? Wordy recaps slow the pace, but Bill Mantlo, Sal Buscema and Mike Esposito recover to nail the ending of this four-part classic.

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Review: Marvel Team-Up #41

Cotton Mather uses Doctor Doom’s time machine to bring the Scarlet Witch to Salem of 1692 – for a burning! This opening chapter to a six-part, Bill-Mantlo-penned epic is crazy fun, with solid art from the team of Sal Buscema and Mike Esposito.

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Review: The Avengers #101

A “nebbish” named Leonard Tippit is tasked by the Watcher to stop a nuclear holocaust – by executing five innocent people! Hurried pacing and poor characterization make this one a tough read. From the team of Harlan Ellison, Roy Thomas, Rich Buckler and Dan Adkins.

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Review: DC Comics Presents #1

Superman and Flash get drawn into an alien civil war, and end up racing to the end of time. Martin Pasko’s central concept is a good one, and artist José Luis García-López is an underrated master. But this one ends up being less than the sum of its parts.

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Review: DC Special Series #21

A certain bright star in the sky helps several DC universe characters successfully navigate Christmas Eve adventures. This collection of short tales is pretty solid throughout, with a young Frank Miller’s first-ever outing on Batman being the best present in the pile.

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Review: The Avengers #145

The Assassin targets Captain America – just the first step in a plot to take down all of the Avengers. The first of two surprisingly strong fill-in issues by Tony Isabella, with less-than-exceptional art from Don Heck and John Tartaglione.

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Review: DC Special #28

Contrary to its striking cover, this issue actually features three unconnected – and largely uninspired – tales featuring Batman, Aquaman and the Legion of Super-Heroes. From creative talent including Gerry Conway, Paul Levitz, Don Newton and others.

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Review: The Cougar #1

When a real vampire causes trouble for a horror-movie crew, it’s up to The Cougar to save the day. Not great yet strangely enjoyable, this debut issue by Steve Mitchell, Dan Adkins and Frank Springer is fairly typical of the Atlas (Seaboard) line.

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