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Review: Hawkeye #1

Hawkeye has a great new job and a lady friend, too. Time for the proverbial wheels to come off the rocket-sled! The longtime Avenger steps out in this solo outing written and penciled by Mark Gruenwald, and embellished by Brett Breeding.

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Review: X-Men #108

The X-Men and Starjammers battle the Guardians of the Gate in a desperate attempt to save the universe. John Byrne and Terry Austin join Chris Claremont on what would become one of the premiere titles of the Bronze Age

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Review: Marvel Fanfare #5

With the help of computer tapes, Nicodemus regains his memories and once again schemes to become the Sorcerer Supreme. A solid, done-in-one story from Chris Claremont gets strong art support from the team of Marshall Rogers and P. Craig Russell.

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Review: Marvel Fanfare #2

With Angel and Spider-Man devolved into primordial creatures, it’s up to Ka-Zar and Karl “Sauron” Lykos to save the day. (Yeah, that sounds like it’ll end well.) Chris Claremont, Micheal Golden and others team on another good-but-not-amazing issue of Marvel Fanfare.

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Review: Marvel Fanfare #1

Spider-Man, Angel and Daredevil help the House of Ideas launch Marvel Fanfare, an upscale foray aimed at comics’ emerging Direct Market. While featuring some fantastic art from the likes of Michael Golden and Paul Smith, this debut issue’s stories fall a bit flat.

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Review: E-Man #10

A surprise visit from an old acquaintance sees E-Man recollecting his earliest days on Earth. This final issue is an uneven finish to a strong run of comics from the classic E-Man team of Nicola Cuti and Joe Staton. Also featuring Rog 2000 from a young John Byrne.

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Review: E-Man #9

E-Man and Nova team with the U.S. military to help bring down the scheming Genius One. Another fun outing from E-Man creators Nicola Cuti and Joe Staton. Also: John Byrne’s Rog 2000 returns.

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Review: Silverheels #1

Silverheels flees the ’Pachee Compound – and the confines of Earth – by crashing the aliens’ Lawkeepers cadet program. This space opera from Bruce Jones and April Campbell shows promise, thanks largely to gorgeous art from a young Scott Hampton.

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