Travis Morgan returns to Skartaris with new ally Mariah, only to find one of his old allies possessed by a demonic weapon. Writer/artist Mike Grell seems to get better each issue, with Warlord quickly evolving into a special series
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The Bronze Age Sandman – along with helpers Glob and Brute – saves asthmatic Jed from the peril of Werblink and General Electric. Golden Age creative greats Joe Simon and Jack Kirby reteam to offer one last dose of fun.
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Ka-Zar vs. Kraven! Dr. Doom vs., well, an assortment of unknown foes and anti-heroes! Nice Bronze Age action by Roy Thomas, with art by two of the best talents from earlier ages: Jack Kirby and Wally Wood.
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Morgan and Tara learn the secret history of Skartaris – but a forgotten subway might make it all for naught! Another greater-than-the-sum-of-its-parts outing from Warlord Mike Grell.
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Morgan’s legion lays siege to the city of Thera in an effort to earn freedom – and rescue Tara from Deimos. The story is a bit rushed and the art a bit scratchy, but, overall, creator Mike Grell delivers another Warlord winner.
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Fleeing the city of Thera, Travis Morgan and Tara find an assortment of dangers in the jungles of Skartaris. Series creator Mike Grell hits the ground running with this fine first issue.
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Scientists from the future send a “murdermek” back to 20th-century Metropolis in an effort to stop OMAC from being born. This story from Len Wein, George Pérez and Pablo Marcos shares DNA with “The Terminator” – a full year before that classic movie’s debut.
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A collection of poetic, sci-fi/fantasy-influenced shorts stories and illustrations by the least mainstream member of the legendary Studio, Jeffery Catherine Jones.
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Returning from the Savage Land, the X-Men soon team with Sunfire in an effort to save an earthquake-stricken Japan. Guest inker Ricardo Villamonte has a notable impact on the usually strong work of regular X-artist John Byrne.
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Red Sonja investigates an ancient temple within the Darkwood and soon finds herself battling an “unhuman horde.” The lead feature by Roy Thomas and Dick Giordano is good, but the reprint backup – featuring art by Esteban Maroto, Neal Adams and Ernie Chan – is the real treat.
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