A team of Legionnaires battle the Prophet, a priest given massive powers by a mysterious entity called Omen. A surprisingly disappointing outing from the usually superb creative team of Paul Levitz and Keith Giffen.
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Space voyager Alpha and his unexpected female companion, Omega, explore a new dimension and are soon tempted by Lucifer. An odd and ultimately preachy Christian comic with some interesting art from writer/artist Al Hartley.
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Contrary to its striking cover, this issue actually features three unconnected – and largely uninspired – tales featuring Batman, Aquaman and the Legion of Super-Heroes. From creative talent including Gerry Conway, Paul Levitz, Don Newton and others.
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Under the influence of Crossfire’s Undertaker Machine, Hawkeye and Mockingbird are soon forced to battle each other to the death. A surprise conclusion helps, but, ultimately, Mark Gruenwald’s auteur opus fails to meet its lofty aspirations.
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A poor-man’s trio of EC-inspired tales from writers Russ Jones and Jack Younger and artists Jerry Grandenetti and Mike Sekowsky.
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Series host Colonel Whiteshroud explains the Monster Hunters Club to the visiting Countess Von Bludd. While a better debut than sister series Scary Tales, this first issue by the likes of Nicola Cuti, Joe Staton, Wayne Howard and others lacks any real creative spark.
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Revenge arrives from Africa in the form of the Blue Leopard, who stalks the streets of New York seeking Tiger-Man. A subpar outing from comics legends Gerry Conway and Steve Ditko.
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Broadcast journalist Jon Athens wallows in an emotional funk as he covers a local political event involving The Masked Man. B.C. Boyer’s strong visual storytelling can’t save this debut issue’s subpar script.
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When a beautiful minstrel is maimed by jealous thieves, a secret paramour and sorceress team to save the future Ironjaw! This final issue – by the creative team of Gary Friedrich and Pablo Marcos – is less offensive but still lacks likability.
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Ironjaw saves a wench, becomes a sword for hire, threatens to rape his own sister, then becomes king. Whew. A surprisingly misogynistic outing – even for the ’70s – from the team of Michael Fleisher and Pablos Marcos.
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