Spider-Ham and Captain Americat team to stop the Masked Marauder – and run afoul of Hulk-Bunny, too! This issue features a pair of funny-animal stories with bland writing and decent art. From Tom DeFalco, Mark Armstrong and Steve Mellor.
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Rom and two human allies take refuge in a deserted house – a house possessed by an other-dimensional terror! This odd outing from the creative team of Bill Mantlo and Sal Buscema offers more “What?!” than wonder.
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Superman and Captain Marvel discover they’ve switched costumes and powers as part of a Mr. Mxyzptlk plot. Both the lead story – by the team of Gerry Conway, Roy Thomas, Rich Buckler and Dick Giordano – and backup feature would have been more at home in the Silver Age.
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An industrialist inventor’s effort to launch a tidal power station runs afoul of the Sub-Mariner – and the Magaia. Throw in Daredevil and Black Panther and this annual – by the creative team of Marv Wolfman, Chris Claremont, George Tuska and Frank Chiaramonte – still falls short of entertaining.
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Bad science and other silliness undermine what should have been a promising superhero anthology. Only the Neal Adams cover and some above-average Batman art from Michael (Nasser) Netzer save this one from being a total stinker.
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The Amazing Spider-Friends thwart a disgruntled ballet-wannabe-turned-supervillain, then take in a production of the Dallas Ballet Nutcracker. This weird promotional comic by Jim Salicrup, Jim Mooney and John Tartaglione is equal parts C-list Spidey story, Classics Illustrated and Fun & Games Magazine.
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Puppet Master crashes the Fantastic Four’s Christmas party in a plot to return to Europe and harvest more radioactive clay. A ho-hum-but-not-completely-humbug holiday outing from the team of Mark Gruenwald, Frank Springer and Chic Stone.
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Despite strong art from up-and-comers like Tom Sutton, Rich Larson and Mike Zeck, Creepy Things #2 is still a bit of a mess.
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A hodgepodge of reprints repackaged to look like a horror comic, this issue is largely a bland affair. While most of the work is uncredited, the lead story – featuring the debut of Tragg – offers stylish art by Jesse Santos.
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A “hitherto undiscovered bacterial force” “activates” algae and turns a washed-up Olympic swimmer into Man-Monster. Yes, this uninspired origin story by Tony Isabella, Rich Buckler and Mike Vosburg is as bad as it sounds. But the backup tale – featuring art by Enrique Badía Romero – is decent.
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