A new generation of the Strikeforce team suffers a tragic blow during its showdown with Contessa Del Marco. A not-quite-ready-for-prime-time outing from future pros Fred Schiller and Tom Morgan.
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When Kip Burland is drafted to foil the Death-Monger’s plan, it’s The Black Hood who answers to call. Red Circle’s attempt to relaunch its longtime hero falls short of exciting, with art by Gray Morrow, Doug Wildey and Al McWilliams.
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On Christmas Eve 1976, the Avengers are attacked and defeated by a stone ghost of the Black Knight. An odd little story from the team of Gerry Conway, Don Heck and Pablo Marcos.
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Miracle Man converts an American Indian reservation into Bethlehem in a plot to one-up God in the Immaculate Conception department. This typically madcap Steve Gerber outing fails to suspend readers’ disbelief, while the journeyman art from Sal Buscema and Mike Esposito does little to raise this Christmas tale out of the eggnog.
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A Christmas-Eve appearance by the Watcher sends Spidey scrambling to save a young woman from the mob. A ho-hum-but-not-bah-humbug outing from J.M. DeMatteis, Kerry Gammill and Mike Esposito.
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During a layover in what was once West Virginia, Killraven discovers a society of African-American separatists living underground. This strange mix of racially charged dystopian tropes is a tough read from today’s vantage. From the fill-in team of Bill Mantlo, Herb Trimpe and D. Bruce Berry.
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Now broke and homeless, Hawkeye and Mockingbird continue to come under attack from hired guns sent by Cross Technological Enterprises. Writer/artist Mark Gruenwald serves up some weak villains and a bland story for this miniseries’ penultimate issue.
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Superman finds himself going toe to toe with Captain Thunder, a Captain Marvel analogue turned inexplicably evil. This outing from Elliot S. Maggin, Curt Swan and Bob Oksner never quite escapes its own oddness.
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The kidnapping of an Atlanta businessman brings four super-powered heroes together to become the Crusaders (soon to be known as the Southern Knights!) This debut issue from Henry Vogel, Audrey Vogel and Jackson Guice is flawed but still quite fun.
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In a dystopic future, warring factions fueled by black arts and souls of the dead lead to a zombie apocalypse. This early effort from brothers Tom and Rick Veitch is actually more sci-fi than straight-up horror. It’s raw, but shows potential.
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