During a side mission to Moira MacTaggert’s island, the new team faces their first battle with the X-Men’s arch-nemesis, Magneto. Another flawed-but-enjoyable outing from the team of Chris Claremont and Dave Cockrum.
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The X-Men emerge victorious from the clutches of Black Tom Cassidy and the Juggernaut … with a little help from leprechauns? While there’s some good things happening in this issue, it ultimately falls short of the lofty standards of the Chris Claremont/Dave Cockrum creative team.
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Ironjaw is captured by mutants, meets a wench, triumphs in the arena and learns a valuable life lesson about tolerance. And that’s just the lead feature. Sadly, the whole affair – including work by Gary Friedrich and Pablo Marcos – is a bit of a mess.
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When a beautiful minstrel is maimed by jealous thieves, a secret paramour and sorceress team to save the future Ironjaw! This final issue – by the creative team of Gary Friedrich and Pablo Marcos – is less offensive but still lacks likability.
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Astride his savage, snow-white unicorn, Ironjaw returns to his homeland of Amun-Rak – where betrayal and adventure await! While less misogynistic than previous outings, this issue from Michael Fleisher and Pablo Marcos still doesn’t offer much positive.
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Ironjaw saves a wench, becomes a sword for hire, threatens to rape his own sister, then becomes king. Whew. A surprisingly misogynistic outing – even for the ’70s – from the team of Michael Fleisher and Pablos Marcos.
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Ironjaw saves a wench – to use for his own “companionship” – but the duo falls prey to betrayal and royal intrigue. Despite its preponderance of barbarian clichés and over-the-top sexist dialogue, this relic of the ’70s is still strangely enjoyable. Michael Fleisher, Mike Sekowsky and Jack Abel are to blame.
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The Science Investigation Agency accidentally opens an interdimensional rift, gaining a powerful ally who can help them protect the environment. Neal Adams’ ham-handed environmental message mars a dynamic return to interior pencil work.
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A young woman wakes with no memory of who she is – or why people are trying to kill her! A slow-burn thriller with cinematic style from the team of Bruce Jones and Brent Anderson.
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Silverheels flees the ’Pachee Compound – and the confines of Earth – by crashing the aliens’ Lawkeepers cadet program. This space opera from Bruce Jones and April Campbell shows promise, thanks largely to gorgeous art from a young Scott Hampton.
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