Samson and company head up the Huz’n in a river boat, visit the Met Cloisters and fight a radioactive unicorn. A gorgeous George Wilson cover fronts this rather bland outing from the creative team of John Warner and Jack Abel.
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Members of the Justice League somehow get pulled to Earth-Prime, where they come to the aid of that world’s first superhero. Logic leaps and other story execution problems hinder this outing by Gerry Conway and fill-in artist George Tuska.
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The entire might of the Justice League of America combines to stop a plot by their one-time sidekick and the villainous Key. The villains are the weak link to this tale written by Steve Englehart and drawn by longtime JLA penciler Dick Dillin.
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Samson and friends encounter survivors living in the ruins of the N’Yark Macy’s who worship pre-disaster Givingthanks Day Parade balloons. Goofy, post-apocalyptic fun from the creative team of Arnold Drake and Jack Abel.
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As is often the case with DC’s Bronze Age horror titles, the art in this issue of House of Secrets is stronger than the stories. A Bernie Wrightson cover kicks off a strong lineup featuring work by Jim Aparo, Alex Toth, Nick Cardy and others.
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This Charlton house magazine from Bob Layton’s CPL/Gang Publications features The Question by Roger Stern, Michael Uslan and Alex Toth, and Doomsday +1 from John Byrne. If only Charlton’s regular lineup was that good!
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Wulf joins forces with the Free Swordsmen’s Guild to save the city of Rama-Kesh from a magically induced drought. Another surprisingly strong outing from the Atlas (Seaboard) team of Larry Hama and Klaus Janson.
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Bad science and other silliness undermine what should have been a promising superhero anthology. Only the Neal Adams cover and some above-average Batman art from Michael (Nasser) Netzer save this one from being a total stinker.
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A local police chief wants the Brute dead. Wait. No. No, he doesn’t. Oh. Stop. Yes, he does. Also: supervillain. This final issue is a mess of stereotypes masquerading as a story, from the team of Gary Friedrich, Alan Weiss and Jack Abel.
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After a brilliant rabbi biochemist fails to help Morbius, the living vampire clashes with a demon-priest. Though Morbius’ Fear debut isn’t that well executed, Mike Friedrich and Paul Gulacy’s work with the character shows potential.
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