Infected by a toxin from Morbius’ blood, Spider-Man fights the X-Men – and then must be saved by the mutant heroes. This fairly typical story from Gerry Conway is elevated by the dynamic art of comics master Gil Kane.
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When the ancient evil of Kulan Gath is unleashed in modern New York, Red Sonja and Spidey must team to stop him. An outstanding done-in-one outing from the classic X-team of Chris Claremont, John Byrne and Terry Austin.
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The return of the Silver Dagger further complicates Doctor Strange, Spider-Man and Ms. Marvel’s efforts to save Clea. This second half of a two-part tale by Chris Claremont drops off from run-of-the-mill to ho-hum.
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Spider-Man joins Doctor Strange and Ms. Marvel in an effort to save Clea’s soul. Chris Claremont and an odd assortment of artists (including Howard Chaykin) turn in a rather run-of-the-mill mystical adventure.
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Power Man, Iron Fist and Machine Man scramble to recover a computer “super-circuit” stolen by the Hulk. A ho-hum affair by Roger Stern, Herb Trimpe and a host of inkers.
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Spider-Man and the Human Torch team on Christmas Eve in an effort to thwart the Sandman’s not-so-nefarious plan. Roy Thomas, Ross Andru and Mike Esposito offer a fair-to-middlin’ yuletide yarn to launch one of the Bronze Age’s signature team-up books.
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Spider-Man and the Frankenstein Monster team to stop Monster Maker Baron Ludwig von Shtupf – but Man-Wolf stands in the way! A weirdly unsatisfying conclusion to a monster-themed two-parter by Gerry Conway, Sal Buscema and Vince Colletta.
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Spider-Man is zapped while breaking up a bank robbery and wakes to find himself imprisoned next to the Frankenstein Monster. What sounds like a comic with some monstrous potential turns out to be a ho-hum affair from the creative team of Gerry Conway, Sal Buscema and Vince Colletta.
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Warlock saves Spider-Man from a runaway rocket, then the two team to battle the Stranger on the moon. Bill Mantlo doesn’t demonstrate much of a feel for “cosmic” stories here, but the art from John Byrne is quite nice.
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Things go from bad to worse as Spider-Man finds himself imprisoned, with Hulk and Woodgod, within the mysterious Tranquility Base. Bill Mantlo’s script is just so-so, but the big draw here is a young John Byrne’s quickly improving art.
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