The debut of the title that serves as the nominal source material for the 2018 Netflix series, featuring tame EC-esque short stories with uncredited art strongly influenced by the Archie house style.
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A werewolf comes to town but soon runs afoul of a gunslinger who looks suspiciously like the Lone Ranger. This story-in-verse by Stephen Perry and George Evans leads off a hodgepodge of not-quite-ready-for-prime-time tales. Also featuring the first appearance of Mr. Monster by Michael T. Gilbert and William Messner-Loebs.
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A “hitherto undiscovered bacterial force” “activates” algae and turns a washed-up Olympic swimmer into Man-Monster. Yes, this uninspired origin story by Tony Isabella, Rich Buckler and Mike Vosburg is as bad as it sounds. But the backup tale – featuring art by Enrique Badía Romero – is decent.
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Colonel Whiteshroud is invited to investigate the reading of a family will – because someone there is a werewolf! While not perfect, Nicola Cuti and Mike Zeck’s full-length werewolf mystery earns a strong grade for effort.
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A hideous-looking bog beast escapes from the La Brea Tar Pits to explore and study the human condition. This lead feature by John Albano and Jack Sparling has a spark of potential – but just a spark. Unfortunately, the same can’t be said for the rest of this poor-man’s EC.
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Former vice cop Bobby Karras dons superhero tights to do the dirty work he knows needs to be done. A surprisingly strong debut issue from Fred Schiller (with a little help from Paul Wishinsky) and the art team of Tom Morgan and Bob Lewis.
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A comic-book-drawing duck is pulled into the pirate world of the Duckaneer, and high-sea hijinks ensue. Frank Brunner’s lead feature leads off a talent-infused lineup – including work by Howard Chaykin, Dave Stevens and others – but the stories just aren’t on par with the art.
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After spending 10,000 years in hibernation with a terraforming crew, Morgana Trace awakes to discover the rest of the team missing. Despite hurried pacing, Mars is an interesting early work from one of the most unique creative duos in comics, Mark Wheatley and Marc Hempel.
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Like the Image comics of the 1990s, Star*Reach’s anthology titles like Imagine often let star artists experiment with writing – and the results could be just as self-indulgent. This issue includes work by Neal Adams, Marshall Rogers, Dave Sim and others.
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In the not-too-distant future, Captain Canuck must thwart an invasion of world superpower Canada by a group of underground Communists. Richard Comely’s labor of love swells with Canadian pride but is brought down by its amateurish art.
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