Satan sends Corrupta to Greenwich Village in a sneaky effort to capture his sister Devilina’s soul. Atlas (Seaboard) apes Warren’s B&W-magazine style with this C-list collection stories from the likes of Ric Estrada, John Albano, Frank Thorne and others.
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This collection of Warren reprints features stunning Bernie Wrightson horror art, albeit buried under some poor full-color production.
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Dracula hooks up with his fourth cousin and their progeny would eventually terrorize coeds in New York City. Excellent Frank Thorne art can’t save this subpar one off from Gary Friedrich.
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A reluctant werewolf turns to Dr. Strongfort Stearn, AKA Mr. Monster, for protection from the Were-Devils Athletic Club. Canadian Golden Age character Mr. Monster gets a late-Bronze-Age remix in this fun debut issue from Michael T. Gilbert and William Messner-Loebs.
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Wulf joins forces with the Free Swordsmen’s Guild to save the city of Rama-Kesh from a magically induced drought. Another surprisingly strong outing from the Atlas (Seaboard) team of Larry Hama and Klaus Janson.
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Targitt heads to Alaska to foil a plot by an American corporation and Third-World powers to manipulate world oil prices. Gabriel Levy and Ric Meyers’ story might have limited appeal, but the visual storytelling – by 1950s comic-book artist Howard Nostrand – is strong.
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When FBI agent John Targitt’s wife and daughter are blown up in a mob hit, the agent seeks bloody revenge. A below-average script from Ric Meyers gets strong storytelling support from veteran artist Howard Nostrand.
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Morlock joins forces with a burned-scientist-turned-rebel-leader in a revolution against the Thought Police … but is it too late? New writer Gary Friedrich continues this series’ mashup weirdness, but the real fun here is the art collaboration between comics legends Steve Ditko and Bernie Wrightson.
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Despite strong art from up-and-comers like Tom Sutton, Rich Larson and Mike Zeck, Creepy Things #2 is still a bit of a mess.
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A hodgepodge of reprints repackaged to look like a horror comic, this issue is largely a bland affair. While most of the work is uncredited, the lead story – featuring the debut of Tragg – offers stylish art by Jesse Santos.
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