A spooky, seasonal cover by Bronze Age horror master Bernie Wrightson is the high point of this otherwise average outing from the likes of Arnold Drake, David Michelinie, Ernie Chan and others.
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Despite strong art from up-and-comers like Tom Sutton, Rich Larson and Mike Zeck, Creepy Things #2 is still a bit of a mess.
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An increase in demonic energies in the Washington, D.C., area puts four strangers on the path to becoming Night Force. The legendary creative team behind Tomb of Dracula reunite, but the results – at least in this debut issue – fall short.
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A hodgepodge of reprints repackaged to look like a horror comic, this issue is largely a bland affair. While most of the work is uncredited, the lead story – featuring the debut of Tragg – offers stylish art by Jesse Santos.
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Four-color horror in the EC tradition. Writer/artist Bruce Jones’ scripts aren’t quite up to the task but this issue features nice art from Richard Corben, Tim Conrad and others.
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The debut of the title that serves as the nominal source material for the 2018 Netflix series, featuring tame EC-esque short stories with uncredited art strongly influenced by the Archie house style.
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A werewolf comes to town but soon runs afoul of a gunslinger who looks suspiciously like the Lone Ranger. This story-in-verse by Stephen Perry and George Evans leads off a hodgepodge of not-quite-ready-for-prime-time tales. Also featuring the first appearance of Mr. Monster by Michael T. Gilbert and William Messner-Loebs.
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A “hitherto undiscovered bacterial force” “activates” algae and turns a washed-up Olympic swimmer into Man-Monster. Yes, this uninspired origin story by Tony Isabella, Rich Buckler and Mike Vosburg is as bad as it sounds. But the backup tale – featuring art by Enrique Badía Romero – is decent.
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Spider-Man and the Frankenstein Monster team to stop Monster Maker Baron Ludwig von Shtupf – but Man-Wolf stands in the way! A weirdly unsatisfying conclusion to a monster-themed two-parter by Gerry Conway, Sal Buscema and Vince Colletta.
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Spider-Man is zapped while breaking up a bank robbery and wakes to find himself imprisoned next to the Frankenstein Monster. What sounds like a comic with some monstrous potential turns out to be a ho-hum affair from the creative team of Gerry Conway, Sal Buscema and Vince Colletta.
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